Beishu Mei Shakuhachi
Weekend before last, I went and stayed with Tom Deaver, at his place up in the mountains above Matsukawa, in Nagano. He had been out visiting friends, so he picked me up from a train station half way there, and I got to enjoy a great scenic drive up(down?) the river valley and then up to his place.
Autumn was in full swing, and the colours were great - there had been a strong wind through a day or so before, and the less-travelled roads up near his place were literally carpeted yellow.
Tom is a Shakuhachi maker, and my 2.4 flute was made by him - obtained on my last visit, a year ago. This is his workshop:
A wonderful, comfortable place, up high in the barn attached to his house. during the day, it looks out, more or less onto the view in the previous photo. Tom told me that over in that mass of green somewhere is a temple, and at a certain time of the day, the light reflected off the temple's roof shines directly in the window.
In the evening, Tom left me up there to play, and try any flute I liked, finished or not - a wonderful experience to play so many flutes back to back. Very quickly I found a 1.8 flute that seemed to really stand out for me - I found it easy to get a good strong sound, while still having a lovely woody, airy natural voice. It was by far the flute I most enjoyed playing - much more like my 2.4 in character than my current 1.8.
There was another flute there that I also liked - a 1.8 that was 'nobe' - translates as 'total' - meaning it was a single piece of bamboo - not in two pieces with a centre joint like most shakuhachi.
The next morning, Tom told me about wanting to take closeup pictures of some of the detail in the bamboo and joints of the flutes, and so I took a bunch of flutes outside and took some for him...
the next two shots are not flutes, but the root-ball of the bamboo that is cut off the end when the bamboo is being prepared.
Normally something that would be chucked out, Tom has polished a few of them up - a deceptively large amount of work - and they are just wonderful things to pick up, hold and look at.
After lunch, it was time to go - I had plans to be in Kyoto, though in that present reality I would much rather have just stayed there. Maybe next visit... I really enjoyed the time spent there with him. Cheers, Tom.
2 Comments:
Beautiful. Thanks for sharing this glimpse into Tom's workshop and surrounds, particularly as I've just bought Riley's old Bei Shu flute.
Good to see Tom again, I think you were there at the time his Shakuhachi making skills were at their peak. Lovely photos, thank you. Bill
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